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Singer-songwriter Erin McKeown has spent an average of 200 nights a year onstage over the last decade, and just released her seventh full-length studio album back in January – the very first to her own label – to rave reviews from both XPN and NPR, among others. She has collaborated with the likes of Anais Mitchell, David Wax Museum, and Sean Hayes, and comes to the festival with a repertoire spanning her 12 year career and multiple albums that is sure to blow listeners away.

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Erin McKeown's new album Manifestra functions as a political manifesto. In the fourteen years since her debut Monday Morning Cold, released while she was still attending Brown, McKeown hadn't quite asserted her politics directly.
There is something bold, determined and charged about Manifestra. That’s the new album from singer-songwriter Erin McKeown. It’s her seventh full-length record and it comes at both an interesting and important time for McKeown.
There is something bold, determined and charged about Manifestra (TVP Records). That’s the new album from singer-songwriter Erin McKeown. It’s her seventh full-length record and it comes at both an interesting and important time for McKeown.

A lot more than some bland nod to the "Great American Songbook" ala Rod Stewart, Erin McKeown's latest is a totally engaging romp through some truly great old tunes. I really think Cole Porter would be happy to hear this.

The charismatic and charming Erin McKeown first came to XPN listeners’ attention five years ago with her debut album, Distillation, a collection of quirky, folksy songs infused by her passion for jazz and blues. Since then, McKeown has greatly matured and on her new album she continues to create a singular sound unbound by genre restrictions.

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