Since the announcement of Little Broken Hearts, the new studio album from Norah Jones, lots of critics have alluded to a change in direction. Initially, that was due in part to her collaboration with producer Brian Burton (aka Danger Mouse) whose tactics behind the board have been well documented with bands like The Black Keys, Beck, Broken Bells and Gnarls Barkley. But it would be somewhat misleading to say a sonic shift wasn’t something we saw coming with Norah’s last few projects. In fact, she worked previously with Burton as part of his Rome project with Daniele Luppi. So what is it about this new collection that sets it apart from Jones’ previous works? Well, quite simply, it’s the subject of the songs.
Much has been made of the forthcoming Norah Jones record, The Fall. There've been forewarnings of a "new direction" and a change in the approach from her previous studio efforts. However, before you brace for the unexpected, the reality is that The Fall is not a seismic shift for the sultry songwriter.
What do you say to a new artist who won a handful of Grammies for her debut album that sold over 12 million copies globally..."What do you do for encore, Norah?"
What is so exciting about Norah Jones ‘s 2002 mind blowing climb to fame is that it really came out of nowhere. Her debut album Come Away With Me beat the odds and musical trends - and deserved to.