CD Of The Month

WXPN Radio

The premier guide for new and significant artists in rock, blues, and folk - including NPR-syndicated World Cafe ®

Jingle Jams

Jingle Jams. An eclectic assortment of holiday tunes, from the new and quirky to the classic.

World Cafe Archives

Join David Dye as he navigates the World Cafe through performances and interviews with celebrated and emerging artists.

XPoNential Radio

24/7 Musical discovery. A unique mix of emerging and heritage blues, rock, world, folk, and alt-country artists.
Listen Live

2005

Soulive is a funky organ trio who cover a lot of musical ground including jazz, funk, soul and hip-hop. Their grooves are wide and thick, the beats guaranteed to bump your rump all through the night. Formed in the late Nineties, the band include drummer Alan Evans and his brother Neil on keyboards and guitarist Eric Krasno. Since their debut album, they've brought jazz to the dance floor and have become an exciting live band who were one of the highlights of this year's XPN All About The Music Festival. And they are known throughout jam band circles as one of the premier groups drawing on the jams of jazz and rhythms of soul.

Lead vocalist Ben Gibbard sings like an angel and the songs on this CD make great use of jangly guitars and sinewy synthesizers. Bellingham, WA, indie pop quartet Death Cab for Cutie may remind you of a cross between REM and New Order, but they craft truly unique songs about relationships that draw you completely in.

As witnessed by his incredible performance at the XPN All About The Music Festival in July, Rodney Crowell has returned with yet another amazing album of country influenced rock songs. The Outsider is the third of a trilogy of CD’s that he’s released (The Houston Kid and Fate’s Right Hand being the first two) that find him at yet another creative peak of his long outstanding career.

To quote many of the music reviews coming in on singer-songwriter Sufjan Steven's new album, "this might be the year's masterwork." Every once in a while a record comes along with such breathtaking creativity and audaciousness and Illinoise is this year's model.

Vocalist Lizz Wright was introduced to XPN listeners in 2003 when she released her debut album, Salt. With an eclectic mix of traditional jazz, R&B and soul/folk, Wright’s sultry vocals and warm, organic songs quickly won fans around the world with Salt's release and Lizz’s dazzling live performances. Salt was an XPN Featured Album of the week in June of '03, and came in at no. 21 in the Top 50 Countdown that same year.

Ever since jazz guitarist John Scofield was a kid, the music of Ray Charles had a significant influence on him. So when Verve Records’ President Ron Goldstone approached Scofield with the idea of doing a tribute album to Charles, Scofield was game.

With bossa nova beats, trip-hop, Jamaican dub, and world grooves galore, the Washington DC based DJ duo of Rob Garza and Eric Hilton are back with The Cosmic Game, their fourth record. Since the mid-90's Hilton and Garza have created their own flourishing cultural cottage industry with their own record label and a niteclub, restaurant and bar in Washington, DC. Starting out as DJ's catering to fans or rare-groove and acid-jazz music, they broadened their sound to include an ecelctic mix of groove and ambient genres of music. The Cosmic Game is their finest studio record yet.

Way back in the Winter of 2002, XPN mid-day host Helen Leicht began playing an independent release from a Philly based singer-songwriter named Amos Lee. Soulful and organic, Lee was making ends meet working at the Tin Angel in Philadelphia and honing his craft by playing open-mic nights and writing songs. After recording an EP, his music reached Helen - who directs XPN’s Philly Local program – and she began playing songs like “Colors” and “Arms Of A Woman.”

Between the scruffy sweetness of Luke Reynolds’ rough, expressive tenor and the orchestral richness of the band’s intricate arrangements, Burning in the Sun is an album that is easy to get lost in.

With Careless Love, Peyroux is once again proving herself to be an original interpreter and an open receptor to songs from earlier eras—an artist who channels vintage jazz and blues with chilling accuracy. “I feel very lucky to be part of a tradition of songwriting that stands the test of time,” says Peyroux. “I also feel lucky to be able to go back and perform as much as I did before—I can’t wait.” Adds Peyroux, with characteristic modesty:

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