First Listen

WXPN Radio

The premier guide for new and significant artists in rock, blues, and folk - including NPR-syndicated World Cafe ®

XPoNential Radio

24/7 Musical discovery. A unique mix of emerging and heritage blues, rock, world, folk, and alt-country artists.

World Cafe Archives

Join David Dye as he navigates the World Cafe through live performances and interviews with celebrated and emerging artists.

Folk Radio

Folk music radio streaming on the web; Americana, Roots Music, recordings, and stories from folk's best.
Listen Live

First Listen

Enjoy previews of select, upcoming albums, in their entirety on FIRST LISTEN.

First Listen: Devendra Banhart, 'Mala'

Loading the player ...
For a guy who gets tagged with a lot of limiting descriptors — "freak folk," "hippie" and so forth — Devendra Banhart doesn't like to let his music sit in any spot for long. His catalog, which now includes seven official albums, has taken him through warmly intimate ballads, raw and unselfconsciously strange home recordings, songs in several languages (Banhart spent much of his childhood in Venezuela), a lot of smoothly strummy folk-pop and the occasional low-key anthem about free-spiritedness.
The very model of inconsistency, Banhart can be cloying one minute and induce sniffling gasps the next; it's hard to believe that "Long Haired Child" (from Cripple Crow) and "At the Hop" (from Niño Rojo) were written by the same guy, much less released only a year apart. But on his new album Mala, out March 12, Banhart veers away from such extremes, while still retaining his capacity to defy expectations.
Here, that can mean using song titles as fake-outs: "Never Seen Such Good Things" sets up as a sweetly ambling song of wonder, until he follows its title with the words "go so wrong" — which is saying nothing of the line, "If we ever make sweet love again / I'm sure that it will be quite disgusting." Then, in "Your Fine Petting Duck," Banhart takes self-deprecation to the brink of self-abuse; there are "Baby, I'm no good" songs, and then there's defending your ex's no-good lover by offering reminders, point by point, of all the ways in which you were worse.
Still, lovelier sentiments peek through. Banhart's arsenal contains a remarkable capacity to convey yearning — see: "At the Hop," above — and it shines through in slow, brooding pleas like "Won't You Come Home." The singer still takes a lot of tonal detours on Mala, but that's the sound of creative freedom for a songwriter who's never been afraid to follow his whims to epiphanies, dead ends and many points in between.
Copyright 2014 NPR. To see more, visit http://www.npr.org/.


Audio: by

Click each song title for individual tracks, the last track is the album in its entirety.

Loading the player ...
GoogleNews