You could call this a side project, an indie-rock super-group or simply a musical experiment, but really Divine Fits stands better as the result of mutual admiration. Spoon frontman Britt Daniel and Wolf Parade’s Dan Boeckner shared a love for each other’s music, and once Wolf Parade called it quits the idea of starting a band together quickly became a reality. They recruited drummer/percussionist Sam Brown (New Bomb Turks) and started work on their debut album, cleverly titled A Thing Called Divine Fits.

Featured Album of the Week, 8/20/2012 | CD of the Month , 2012

One thing that’s for sure is that Delta Rae does not lack ambition or appeal on their album Carry the Fire. And simply stated these kids can flat-out sing. The six-piece band, featuring four vocalists, is from North Carolina and they pounce onto the music scene with a collection of songs rooted in their southern upbringing and gospel inspired vocal blend. Carry the Fire is a lively attempt at Americana flavored with plenty of pop sensibility.

It won’t take long as you listen to Is Your Love Big Enough? to draw the conclusion that Lianne La Havas is a special voice. Her enchanting vocals certainly act as the centerpiece to this lovely debut. Yet as you unfold the songs on this album, it becomes clear that you’re not listening to a one-dimensional artist but someone who can sing and play across a wide musical spectrum.

July, 2012 CD of the Month

There are some artists that just don’t act their age. And in the case of XPN Aritst To Watch Michael Kiwanuka, that's a good thing! The fact that this singer-songwriter is in his early 20’s will be the last thing to come to mind (if at all) when you make your way through his debut album Home Again. Kiwanuka is the latest in a wave of British soul and R&B singers to captivate audiences. And while connections to his peers like Adele exist, he paves his own path to our ears with the songs of Home Again.

Maybe it’s the time of the season. Or maybe it’s the fact that as music lovers we’re overdue for a reggae record that truly strikes a chord. Either way, the new album from reggae icon Jimmy Cliff is one of the season’s brightest and most satisfying albums. The aptly titled Rebirth finds Cliff as spirited as at any point in his career and with a batch of songs that are weaved together with a message of righteousness and hope.

It’s reasonable to ask whether or not Passion Pit was ready for the level of exposure that followed the release of their Chunk of Change EP in 2008, and their subsequent debut Manners. For frontman Michael Angelakos, a musical project that started as a Valentine’s Day gift for his girlfriend evolved rather quickly into a full-time band with significant impact. Passion Pit’s animated brand of electronic, dance-pop thrilled audiences and even found a warm embrace across the media landscape from bloggers and radio to TV and film. So with high expectations and anticipation surrounding their new album, can Passion Pit continue to live up to the hype? Gossamer, their sophomore effort, answers that question with conviction.

Reunions don’t often go this well. It’s been twenty five years since The dB’s last released a new studio album. Actually, make that thirty if you’re talking about an album featuring all the original band members. Well, on Falling Off the Sky, Peter Holsapple, Chris Stamey, Will Rigby and Gene Holder reconnect and restore that classic power-pop sound that’s been missing since the 80s. It’s an album that takes a serious crack at picking up where they left off and stands comfortably alongside their admired work.

An enduring rock n roller since the mid-70s Alejandro Escovedo may not be a household name to many, but the continued reverence for his music is no surprise. Big Station, his latest album, is another prime example of artistic vision and the relentless pursuit of challenging one’s own musical aspirations. For Escovedo, at this point in his career, making the same album over and over is a trap that some of his contemporaries have fallen into, but for Alejandro it’s a path that he won’t concede to take. Big Station is the proof of that.

We should’ve seen this coming. For the past decade, The Walkmen have quietly released six studio albums, all of which have been relatively well-received, and have garnered fans at a steady pace. They’ve had some minor indie hits with songs like “The Rat” from 2004’s Bows + Arrows and “Angela Surf City” from their last studio effort Lisbon. But to the general public, they still flew under the radar amongst a growing wave of blog buzz bands. As The Walkmen celebrate their 10th anniversary as a band what’s clear now is that they’ve carved their own path. The past ten years has been a cultivation of a band and a sound that now seems fully realized on the new album Heaven.

Back in 1996, at just 19 years old, Fiona Apple stepped into musical stardom with her debut album Tidal. Only two albums fall between her debut and this latest collection The Idler Wheel. Where some artists would see their supporters fade during long gaps of silence, that’s not the case with Fiona Apple. The periods between albums (the latest of which was seven years) seem to have only strengthened what is already a pretty rabid fan base. And Apple matches that intensity and obsession with her approach to making music. One thing that certainly hasn’t changed over the course of her career is her willingness to bare all no matter how difficult or controversial it may be. The Idler Wheel… is her latest assertion of that.