Richard Thompson's 45-year-career is still electric. and his new release, Electric is his fourteenth solo studio album and showcases a progression from folk and country to rock and punk over the course of the record.
Sitting down with Beach House is a bit like listening to the band's music. No matter how many times we feature Victoria Legrand and Alex Scally, they impress with their relaxed complexity and refreshing insight into how music can work.
Camper Van Beethoven has returned to the music scene with the highly anticipated release of their new album La Costa Perdida (429 Records). This cohesive album is the band’s 8th studio album and first since 2004.
Erin McKeown's new album Manifestra functions as a political manifesto. In the fourteen years since her debut Monday Morning Cold, released while she was still attending Brown, McKeown hadn't quite asserted her politics directly.
By the tender age of twelve, Sera Cahoone was playing drums at a suburban Denver bar during open mic night. Discovering her passion for lyrical and musical engineering, Cahoone decided at the age of twenty-one to move to Seattle and support pre-existing artists like Carissa’s Weird, Band of Horses and the widely acclaimed musician Patrick Park.
Hailing from London, England, Natasha Khan is a talented singer-songwriter and multi-
instrumentalist who released her third studio album The Haunted Man this past October. Adopting the stage name, Bat for Lashes, Khan's
third album is riding on a wave of momentum that is clearly setting her up to an
international path of success in the music world.
Aaron Neville hand-picked his favorite tracks from the doo-wop era for his recent release, My True Story, then revitalized them by adding his soulful and expressive voice and giving the classics a blues and soul vibe.