If by chance you were a fan of the New York rock band Elefant you may already be familiar with Diego Garcia. But what you’ll hear on Garcia’s first solo album is a stylistic change in direction; a welcomed one. We hear Garcia turn the page on his alternative rock leanings and also turn down the volume for a gracefully executed set of songs on Laura.
It seemed destined that beyond their marriage to each other Derek Trucks and Susan Tedeschi would ultimately tie their music together as well. After years of touring and collaborating the immensely talented husband and wife team have officially joined forces under the banner of the Tedeschi Trucks Band. Merging talents and band members have made for as you could imagine one powerful debut album in Revelator.
Bon Iver gained notoriety in 2008 with the release of his intimate solo debut For Emma, Forever Ago. The album was heralded as one of the year’s best independent releases. Peter Gabriel would go on to cover Bon Iver and Vernon even ventured into the world of hip-hop as a prominent guest on the latest release from Kanye West. All that would just add to the build-up of expectations for the second Bon Iver album. To say that the new album from Bon Iver singer-songwriter Justin Vernon is easily accessible … well … that wouldn’t be true. Yet despite a much bolder landscape, puzzling lyrics and a general propensity to demand more of its audience Bon Iver, Bon Iver is an inspiring effort.
When you think of music from New Orleans it’s not unusual to visualize big brass bands, Dixieland jazz, swampy blues or Cajun funk. But as we listen to In Light the debut full length album from the band Givers it might surprise you that this young 5-piece band actually calls home to Lafayette, Louisiana. To attempt to categorize their sound is a challenge all to itself. One thing is for certain though, In Light is a bright and flavorful adventure.
It didn’t take long for the Seattle band The Head And The Heart to find an audience for their brand of indie folk and pop. In fact, within a year of coming together at a local open mic night the six piece band had released their self-titled debut album and become a standout of a hearty Seattle music scene. Following in the steps of fellow indie-folksters like Fleet Foxes, The Head And The Heart signed to the local Sub Pop label who have re-released the group’s introduction this year.
On their new album Gimme Some, the Swedish trio Peter Bjorn and John waste little time reassuming their role as great pop songwriters. From top to bottom their new collection is near flawless in its ability to capitalize on pop sensibilities. From infectious hooks to energized drums and catchy guitar riffs, Gimme Some feels effortless in its power pop ambition and on the whole, simply stated a lot of fun.
If Hollywood were writing the script there’d likely be a long, perilous journey before a new-comer band could hit any type of stride to success. Luckily for Fitz and the Tantrums, WXPN's February Artist To Watch, they’re writing their own story and in just over a year what started as a solo endeavor has turned into a ‘can’t miss’ stage show with a debut album to match. Pickin’ Up the Pieces, the band’s debut full-length, is an instant party-starter that not only echoes sounds of Motown soul but also fosters an indie-rock sensibility to top it off.
For his fourth album, Mission Bell, Philadelphia native Amos Lee was drawn to Tucson, Arizona to work with producer/musician Joey Burns of the band Calexico. The acclaimed songwriter not only takes a subtle step in a new direction, but takes a commanding step forward in his artistry. The heart and soul of Mission Bell is uniquely Lee, yet texturally the presence of Burns, his Calexico bandmates and an all-star cast of guests pays instant dividends.
Rumors of a Roxy Music reunion swirled around the making of Olympia. And while the album bares just the name Bryan Ferry, Olympia. is witness to collaborations with a number of Roxy alums as well as healthy dose of guest stars. Ferry sounds effortlessly in the now on his 13th studio album and only his second album of mostly original material since the mid-90s.