The French pop band Phoenix continue to write utterly engaging, dance-inspired songs on their fourth studio album Wolfgang Amadeus Phoenix. And while the band has already garnered some minor buzz and success with their previous releases, this new album boasts the potential to draw an even wider fan base.
For as much discussion that's been made about Wilco's decision to self-title their latest album, an equal amount of excitement should surround the music the band churns out on this new effort, Wilco (The Album).
Spektor's light-hearted, nonconformist approach to music helped create a rabid fan base and has certainly upped the anticipation for her new album. A personality seemingly less concerned with success and more consumed in the creative process, Spektor returns with the release of Far.
Back and Fourth marks the fourth studio album from singer-songwriter Pete Yorn, and his first since Nightcrawler in 2006. No doubt an important point in his career, the new album witnesses Pete letting go of responsibilities to which he'd become accustomed and writing perhaps the most personal songs of his career.
Ryan Bingham's sophomore effort, Roadhouse Sun, picks up where his debut album, Mescalito, left off. A strong set of southwestern country songs, Roadhouse Sun speaks to Bingham's life experiences, his trials and convictions.
Who would've imagined that a collection of songs, written and produced by a college student as a belated Valentine's Day gift for his girlfriend would've launched a music career? Well, for Emerson College undergrad Michael Angelakos his six song EP not only served as an overdue present for a loved one, but it launched the career of the yet-to-be realized band Passion Pit. In fact, demand for the EP entitled, Chunk Of Change, grew so quickly around the campus that the rise of Passion Pit seemed inevitable.
One of the year's most anticipated releases, Grizzly Bear's Veckatimest, witnesses a relatively young band take to the studio with a veteran-like attitude. The feverish pitch of anticipation from bloggers and faithful fans alike is answered in an album that is meticulous in its production and lavish in its overall sound.
Abnormally Attracted To Sin, the tenth studio album from Tori Amos is a sprawling, ambitious effort plentiful in its results. The seventeen song collection is clearly a creative outpouring that is seemingly unrestrained by any theme or narrative.
There's that cliché about putting the "bounce back in your step. Well, after recruiting the Austin-based rock band Relentless7 to join forces, Ben Harper not only put the "bounce back in his step," but he refueled with a group of musicians that take his highly emotional songs to an explosive level.
With thirty-three studio albums now to his credit, Bob Dylan continues to offer songs with the richness and depth to which we've all been accustomed. His latest album, Together Through Life is a 10 song collection, a majority of which were co-written with Robert Hunter and self-produced by Dylan, under his alter-ego Jack Frost.
With her timeless voice, Melody Gardot offers an enchanting collection of jazzy originals with the release of her new album My One And Only Thrill. The Philadelphia native flourishes both as a singer and songwriter, upholding an assuredness that matches the elegance for which the album aspires.
Peter Bjorn & John whistled their way into our ears just a couple years ago with their unavoidable single "Young Folks." And while their album Writer's Block was actually the trio's third album, all the symptoms of the dreaded "one-hit wonder" were beginning to loom. Well, fast forward to the present, and the release of Living Thing which sets out to prove that Peter Bjorn & John do in fact have a few more infectious offerings for us.
On their sixth studio album, Gomez offers fans a more experimental, less pop-infused effort. A New Tide feels somewhat like a return to form. The five members once again took the unique method of writing separately and exchanging portions of songs electronically. And despite the physical distance apart, the results are cohesive.
If you've ever traveled to or spent an extended period of time in the Catskill Mountains, the sound and demeanor of The Felice Brothers comes as no surprise. On their second release for Team Love Records, the earthy Americana band of brothers and longtime friends aim to reflect the America that they know, and do so with tales of trains, baseball and even chickens.
Removed from the pressures or constraints that may come with being signed to a major label, the Indigo Girls have seemingly returned to form on their independent release Poseidon And The Bitter Bug. The double-disc effort actually spotlights the duo in both a full band setting as well as an intimate, acoustic arrangement performing essentially the same set of songs.
It's easy to be captivated by Middle Cyclone, the new album from Neko Case. Those enchanting vocals have returned, striking a familiar balance between her alt-country tendencies and indie-pop sensibilities. And while Case's viability as a solo artist skyrocketed after the release of Fox Confessor Brings The Flood, it's fair to say that on Middle Cyclone the spotlight shines just as bright.
On the title track to her new album Madeleine Peyroux leaves us with these parting words "...the truth itself, nothing but a gamble / it might or might not set you free / but in these bare bones there's something lovely after all..." While interpretation will vary, one thing is for sure, and that's that Peyroux did indeed take a gamble on Bare Bones, attempting something she's never done before.
To fully understand and appreciate Bell X1 is to know a little bit of the history of band. The Irish indie rock band formed in the 90's under the name Juniper and was led by singer-songwriter Damien Rice. Upon Rice's departure, drummer Paul Noonan stepped up to the microphone, replacing Rice, and ultimately launching the band we know now as Bell X1.
It's sometimes difficult to critique a band as accomplished and as influential as U2. And it must be equally as challenging to be a band of that stature and continue to create music as stimulating as your earliest works. On their 12th studio album, No Line On The Horizon, U2 has yet again crafted an album that is expansive, and at the same time attentive to that familiar U2 spirit.
For Shemekia Copeland, her new album Never Going Back reveals a new attitude, a new sound and an overall evolution for the young blues woman. Lots of things have changed since last we heard from Copeland. For the first time in her career Shemekia is releasing an album on a label other than Alligator Records; Never Going Back is her debut for the Telarc label. And her choice of producer for the new album, Oliver Wood of the Wood Brothers, was another step outside the traditional blues world.
Widely known as one half of the rock duo The Black Keys, Dan Auerbach steps out on his own with the release of his first solo record, Keep It Hid. While The Keys' music has always been steeped in the blues, Auerbach's appreciation runs deep on Keep It Hid. Not only do we hear what the blues may sound like for a new generation, but Auerbach stretches into some territory that The Keys have yet to.
While his name seems to come up quite a bit when you reference modern independent music, it's been a couple years since we've got to enjoy an M. Ward solo record. More recently Ward has spent time recording and touring as the duo of She & Him. Hence, many are eager to get their ears on Hold Time, Ward's new solo album, which satisfies beyond expectations.
We often hear musicians talk about artistic integrity, yet few are as truthful or match the level of their ambitions as well as Andrew Bird. His songwriting, which at times will leave you reaching for your thesaurus, is as skillful as his string playing or his trademark whistling. The classically trained violin player has produced another record destined for critical praise in Noble Beasts.
For years now there have been a number of somewhat underground scenes of experimental music whose sonic limitations are as undefined as the venues in which they perform. It was difficult to imagine this music reaching beyond the walls of the high school gymnasiums packed with devoted disciples of the abstract, but perhaps that exemplifies the brilliance of the new album from Animal Collective, Merriweather Post Pavilion.
We Are Beautiful, We Are Doomed is the second album from Los Campesinos!, the seven-piece band in which all members share the same last name. The sophomore album comes less than a year after the release of the band's debut. We Are Beautiful, We Are Doomed showcases the band's youthful excitement, which at times borders on ultra-hyper and is playfully matched with whimsical songwriting.