FRIDAY, OCTOBER 7
Punk trio Screaming Females is celebrating its emerging adulthood by reissuing its first two albums in a very grown-up vinyl format. The band has come a long way since its self-released debut, Baby Teeth, was written and recorded in drummer (and then-high schooler) Michael Abbate’s attic six years ago. Like many angsty New Jersey teens, the members of Screaming Females started performing in their friends’ basements; unlike most New Jersey teens, however, the band gradually went from touring Jersey to touring nationally with bigger punk acts such as Against Me! and Ted Leo. Though much of the band’s popularity is credited to the members’ dedication to the group, just as much success can be credited to their simple formula in creating skin-and-bone punk-rock songs. Disregarding the extraneous bells and whistles of highly-produced music, Screaming Females offers a more no-nonsense sound, resting largely on heavy yet simple chord progressions and vocalist Marissa Paternoster’s unforgiving tone when belting out the group’s tunes. Screaming Females performs with Underground Railroad To Candyland and Dry Feet at 6:30 p.m. at The Barbary; tickets to the all-ages show are $10. —Marielle Mondon

Also Playing: The Deli’s 3rd Anniversary show with Dangerous Ponies + Orbit To Leslie, The Homophones at Kung Fu Necktie (8 p.m., 21+, $10); Kuf Knotz + Alien Architect, The Authentic at Milkboy Philly (9:30 p.m., 21+, $8–$10); The Besnard Lakes + Malajube at Johnny Brenda’s (9 p.m., 21+, $10–$12); Robert Randolph and the Family Band with Tauk at the TLA (7 p.m., $40.00/includes service charge).

SATURDAY, OCTOBER 8
Uh Huh Her’s show at the TLA marks the low-fi electro-pop duo’s first stop of the Keep A Breast Tour. In honor of Breast Cancer Awareness Month, Uh Huh Her is undergoing a month-long, 21-stop tour that will raise money for the Keep A Breast Foundation, a non-profit project targeted toward educating young people about breast cancer. In addition to breast cancer awareness, though, the band has its sophomore album, Nocturnes, to promote. The album, which drops on Tuesday, is the band’s follow-up to 2008’s Common Reaction and the first new release after being dropped from its label. (The album will be released via the band’s own label, Plaid Records.) Despite these changes, the album’s lead single, “Another Case,” still rests on Uh Huh Her’s signature airy, moaned vocals and heavy use of synthesizer to create a subtle, seductive sound. Uh Huh Her performs with Fences at 8 p.m. at TLA; tickets to the all-ages show are $25. —Marielle Mondon

Also Playing: James Blake + Chairlift at The Trocadero (9 p.m., all ages, $21–$23); Skrillex + 12th Planet, Foreign Beggars, Nadastrom at Electric Factory (7:30 p.m, all ages, SOLD OUT); The Lemonheads + The Shining Twins, New York Rivals at North Star Bar (9 p.m., 21+, $20–$25)

SUNDAY, OCTOBER 9
Merrill Garbus’s musical project tUne-YarDs seems to exist purely to contradict: contradict expectations, contradict convention and, at times, to contradict itself. Garbus’s voice, which is capable of swinging between a soothing, cooing purr and a growling, leaping roar, is at once ferociously vulnerable, fiercely disarming. The 32-year-old New-England native first gained attention for her 2009 self-produced debut album “BiRd-BrAiNs,” which she recorded on a hand-held digital recorder and mixed using the software Audacity. It was rereleased later that year by 4AD records, who signed Garbus, identifying in her lo-fi, freak-folk first release creative genius. On Garbus’ second album (out this year on 4AD), “w h o k i l l,” she applies her superhuman sound masterfully, and her songs have a certain urgency, a raw, emotional energy to them. Hear them for yourself when she performs with Pat Jordache and Les Blondettes this weekend. tUne-YarDs performs with Pat Jordache and Les Blondettes at 8 p.m. at Union Transfer; tickets to the all-ages show are $15. —Naomi Shavin

Also Playing: Ladytron + VHS Or Beta at TLA (7 p.m., all ages, $19)