Disclosure | Photo by Morgan Smith | phobymo.comUK electronic duo Disclosure held court at The Fillmore for two nights this week, bringing with them a mix of pop hits, hard dance beats, dazzling visuals and teeming crowds.

For an act that sprang out of the EDM universe, brothers Guy and Howard Lawrence treat their performances like a rock show. They charmingly banter with the crowd during breaks between songs. (“We can’t believe so many of you came out on a Monday! But when you’re with Disclosure, every night’s a party.”) They step to the front and center of stage, each performing behind semicircular risers of mixers, samplers, keyboards and percussion.

Their sophomore record Caracal boasts an incredible roster of guest vocal spots, and that left many wondering how those jams would translate in performance. Sam Smith obviously wasn’t wandering around on tour with them, was he? Answer: no, but a badass line drawing animation of him was, and it was projected during the midtempo R&B bump of “Omen.”

The dazzling “Nocturnal” was a mid-set high point, sending The Weeknd’s lead vocals soaring across the room as LED fractals broke down and reformed behind the band. Lorde’s “Magnets” was carried by waves of multicolored lasers, while “Willing and Able” and “Hourglass” were backed by footage from their music videos – sexy silhouettes of the vocalists (Kwabs and Lion Babe respectively) bobbing, grinding and singing.

Also worth noting: all those songs are from Caracal. Much as the I-liked-Disclosure-before-they-were-popular sorts have been slagging that album, it translated incredibly live. The only dragging point came in an extended stretch of sampledelic hard house that maybe broke up the main set for a little too long. But respect to the Lawrences for staying true to their roots – and the audience didn’t seem to mind (though I’m sure some enhancements helped with that).

For the old heads (“This one’s from 2013! So long ago!”), “When A Fire Starts to Burn” sounded incredible. And Sam Smith’s second appearance for the duo’s biggest hit, the yearning and stylish “Latch,” had the room screaming along. It was played at the close of the encore because this was, after all, a rock show.