The music world witnessed a monumental shift with the release of Beastie Boys’ groundbreaking fifth album, Hello Nasty. Futuristic and genre-defying, the album blended hip-hop, rock, funk, world music, and electronic elements, solidifying Beastie Boys’ status as one of the most innovative and influential groups in music history.
By the summer of 1998, Beastie Boys no longer needed to fight for their right to party. They had already conquered New York, crashing into the hip-hop scene in the mid-’80s with Licensed To Ill and Paul’s Boutique, spewing brash and braggadocious rhymes over the punk guitars and 808s that became trademarks of their obnoxious early sound. It was enticing, catchy, and jokingly harmless, and quickly won over the hearts of early hip-hop fans while bridging the gap to punk rockers and metalheads alike. As their notoriety grew, however, the group began to change. Check Your Head (1992) and Ill Communication (1994) brought a sense of maturity to their childish personas, calling themselves out for dumb rhymes and insensitive raps in their earlier records. They even began using their platform to celebrate bands they admired who hadn’t quite reached their level, collaborating with groups like Tribe Called Quest and Bad Brains and celebrating next-gen artists like Luscious Jackson and The Roots. Still, no one expected the left turn that arrived with Hello Nasty.
In fact, no one expected another Beastie Boys record at all. It had been over four years since Ill Communication, the longest hiatus between albums since Licensed To Ill (1986) to Paul’s Boutique (1989). So while New York clubs were profuse with speakers blasting the newest Nas, Mobb Deep, and Biggie, the trio of Adam “MCA” Yauch, Michael “Mike D” Diamond, and Adam “Ad-Rock” Horovitz were spending their time on the Lollapalooza tour as well as organizing and playing the Tibetan Freedom concert, all the while performing their hit, “Sabotage” on every award show and late night TV program.