Great songs, though I had lots of others that I think were also worthy!
“Goin’ Down Slow” is a great deep blues classic, written by St. Louis Jimmy. Wolf’s wonderful version did a lot to get the song out to new audiences and led to many more covers of it.
•John Coltrane applied his magic to Mongo Santamaria’s “Afro Blue” though it wasn’t issued until a decade after he passed.
•”Nobody Knows You When You’re Down And Out” became a standard from Bessie Smith’s recording, which was a cover of a record by a group with the unusual name of The Aunt Jemima Novelty Four.
•”Honky Tonk Train” by Meade “Lux” Lewis has been called the definitive boogie woogie piece. Lloyd Glenn was one of the very few who could approach Lewis’s fluidity and tone on it.
•Possibly B. B. King’s best-known song, “The Thrill Is Gone” was a cover of a recording from 1951 by Roy Hawkins.
•Fred Neil’s “The Other Side Of This Life” explores our fantasy lives, and Jefferson Airplane gave it a whole new energy.
•”Louie Louie” by the Kingsmen was perhaps an improbable hit, from a live recording complete with a mistake in it, though a great cover of Richard Berry’s also great original.
•Catherine Russell sets the standard for doing standards these days, and offers a wonderful version of Dinah Washington’s darkly humorous “My Man’s An Undertaker.”
•Dolly Parton is known for writing great songs, but she also brings her liberating exuberance to “Muleskinner Blues” done originally by Jimmie Rodgers in 1930 and also covered by The Fendermen.
•R. L. Burnside offers a powerful interpretation of Bob Dylan’s “Everything Is Broken” a song quite different from the blues he grew up playing. Hearing this song, you may feel that everything IS broken! What I look for in a cover song is the covering artist’s contribution, their interpretation of the song and what that might add to the dimension of the song. It is surprising how many hits were actually covers of songs that didn’t become all that well-known when originally released.