The Roots Picnic brings an inspired musical frenzy to the Festival Pier
The anticipation behind this year’s Roots Picnic could have easily evolved into a self-fulfilling letdown of high expectations gone unfulfilled. Fortunately for the sold-out crowd of over 6,000, the day met every benchmark for a phenomenal musical experience.
With the newly-renovated and sand-strewn Festival Pier as its home base, the all-day festival boasted an eclectic line-up of both upstart and established acts of various genres. All acts shared the Questlove seal of approval, bearing a heavy emphasis on rhythm and sunny-day vibes.
Although every act of the day put on a frenzy-whipping set (the strongest of them being, arguably, a sunset-backed and pitch-perfect Janelle Monáe), there were a few noteworthy highlights:
– An inspiring group of sets in the first half of the festival (prior to most attendees’ arrival) with particularly strong ones from New Zealand RnB group Electric Wire Hustle, hip-hop/classical sequence-loops master Emily Wells, blues-rock guitarist and singer Roman Gianarthur (including soulful covers of Erykah Badu’s “Bag Lady” and Radiohead’s “High and Dry”), West Philly’s own Chill Moody, and British drum-and-bass act Rudimental (during which this reporter felt bass shocks that almost stopped his heartbeat)
– A searing performance from WXPN favorites The War on Drugs, during which frontman Adam Granduciel gave Program Director Bruce Warren a heartwarming shoutout (referring to him as “The Other Boss”)
– The aforementioned strongest set of the day, starting with The Electric Lady herself being wheeled out on a stretcher in a straitjacket before tearing through most of her hits with uncompromising intensity
Check out photos from the day’s festivities, taken by local musician and photographer Mark Schaffer, in the gallery below.