It’s everything I had heard about over the years and more. That’s the thought I had running through my head everyday of this year’s 65th anniversary of the iconic 3-day Newport Folk Festival held in Newport, Rhode Island. As a first timer, my expectations were high going in, and by the closing set on Sunday evening, with Conan O’Brien, backed by Dawes and many special guests, Newport ‘24 more than delivered on the promise of its time-honored legacy and import. And now, I understand a small part of the folklore that is Newport.
Jay Sweet is Executive Producer for Newport Folk and Jazz, and Executive Director Newport Festivals Foundation. As in the past years he curated a multi-genre experience for the community that brought together emerging and more well known musicians from the broad musical world of Americana, (folk, bluegrass, singer-songwriters, country, blues). The festival leaned into indie rock and pop (Wednesday, Friko, Muna, Buck Meek and Adrianne Lenker of Big Thief), Latin instrumental (La Lom, Hermanos Gutierrez), hip-hop (De La Soul, Killer Mike), appearances by Mavis Staples, Allison Russell’s moving set on the Fort Stage, Joan Baez, Nathaniel Rateliff, Black Pumas’ Fort appearance, Guster, Hozier, Sierra Ferrell and a very special song for song performance of the 1973 still not on streaming services Buckingham Nicks album by Madison Cunningham and Andrew Bird.
Over the three days there was an average of 26 sets a day, with most overlapping a bit, but rarely in their entirety. Five stages stagger the bands, with The Fort being the main stage, followed by the Quad, then the Harbor Stages, and the Foundation and Bike Stages. From a festival setting, it ran incredibly smoothly, with almost all the sets starting on time. Like the XPoNential Music Festival (coming next month!) volunteers staff much of the grounds and some behind the scenes, and their hard, important, and friendly work cannot be overlooked to pull off such a great weekend. Of course, the weather always helps, and on Friday and Saturday, it was all gorgeous, sunny blue skies. During Guster’s set, and Beck’s surprise set there was a hatching of dragon flies, which swarmed into the crowd with (mostly) natural delight.
Newport Folk is about community. It’s about music discovery, where the lines between genres are sometimes distinct, yet in this setting those lines blurred as one moved from stage to stage, with incredible performances by Jobi Riccio, Rhiannon Giddens, Taj Mahal, Brittany Howard, Dropkick Murphys, Killer Mike, Mighty Poplar, and Illiterate Light. The lineup played like a great mixed tape for a true music lover of all styles of music.
I once called The Clash and Creedence Clearwater Revival folk bands. While folk to many (fans and musicians) clearly exists as a genre, folk also means steeped in some cultural and artistic traditions. As Newport Folk has consistently redefined and broadened what folk means, the 65th festival continued to look forward as much as it respected life’s rich folk quilt it wraps itself around.