It hasn’t taken boygenius long to achieve the resounding success and roaring admiration felt at Saturday night’s sold out show at The Mann. Now promoting their first LP the record, the trio comprised of singer-songwriters Julien Baker, Phoebe Bridgers, and Lucy Dacus were all pursuing solo careers before they discovered their writing chemistry and accidental friendship in 2018. “Sad girl” audiences, a term they’ve both acknowledged and dismissed, were thrilled to see the genre’s three stars join forces on an emotionally-charged, six-song, self-titled EP. Five years and at least one solo studio recording per artist later, and the super group has fully, tremendously arrived with the record and its adjoining tour.
To no one’s surprise, a majority of The Mann’s 14,000 capacity seats were occupied by young women Saturday night. Boygenius’ appeal, after all, not only comes from the success of the individual artists (all in their late 20s), but also the dialogue they’ve fanned surrounding the breakdown of the musical categorization “girl group.” Bridgers told Vogue back in 2018: “Nobody thinks twice about five dudes starting a band, but as soon as three fucking women start a band they’re like ‘girl band!’ or like ‘girl project!'” The three artists were conscious of their identity, and chose to lean in, hiring all women musicians to play on the record and touring with an all-female band. Another strong part of their massive appeal? The three songwriters’ chemistry as friends (and what has perhaps only been teased as something more), creating an environment best enjoyed with one’s bestie. But of course seats abound with a range of different music fans; at one point during “Bite The Hand,” the stage’s live feed camera turned around on the audience projecting a man’s “boomers for boygenius” handmade t-shirt to rapturous applause.
Bridgers, Dacus, and Baker kicked off the show from behind a screen, singing their harmonious, Carter-family nod of an album opener “Without You Without Them” projected onto the larger-than-life stage. They then came running out from backstage to play “$20,” the record‘s second song and one of the fan-favorite singles. “It’s a bad idea / and I’m all about it,” sang Julien Baker positioned center-stage, which seemed befitting to her status as the initial link between Dacus and Bridgers, and the emotional core of the group if it were fair to name one. Us photographers in the pit were allowed to shoot for four songs, one more than the industry standard, which felt significant. Another sign of generosity from the band was the sheer number of photographers–all women, coincidentally–approved to work that night, from publications large and small.